Upcoming Events
THE MET: Art for the Millions
Art for the Millions: American Culture and Politics in the 1930sThe 1930s was a decade of political and social upheaval in the United States, and the art and visual culture of the time reflected the unsettled environment. Americans searched for their cultural identity during the Great Depressi... [ + ]on, a period marked by divisive politics, threats to democracy, and intensified social activism, including a powerful labor movement. Featuring more than 100 works from The Met collection and several lenders, this exhibition explores how artists expressed political messages and ideologies through a range of media, from paintings, sculptures, prints, and photographs to film, dance, decorative arts, fashion, and ephemera.Highlights include paintings by Georgia O’Keeffe, Charles Sheeler, and Stuart Davis; prints by Elizabeth Olds, Dox Thrash, and Riva Helfond; photographs by Walker Evans and Dorothea Lange; footage of Martha Graham’s dance Frontier; and more, providing an unprecedented overview of the era’s sociopolitical landscape.
Visitors from outside of NY State:
$30 for adults,
$22 for seniors
$17 for students.
Admission for all children under 12 and Members and Patrons will continue to be free.
All admission tickets include exhibitions and same-day entry to both Met locations.
THE MET: Manet/Degas
This exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists wh... [ + ]o worked to define modern painting in France. By examining their careers in parallel and presenting their work side by side, this exhibition investigates how their artistic objectives and approaches both overlapped and diverged.Through more than 150 paintings and works on paper, Manet/Degas takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting.
Visitors from outside of NY State:
$30 for adults,
$22 for seniors
$17 for students.
Admission for all children under 12 and Members and Patrons will continue to be free.
All admission tickets include exhibitions and same-day entry to both Met locations.
THE MET: Vertigo of Color
Vertigo of Color: Matisse, Derain, and the Origins of FauvismOver an intense nine weeks in the summer of 1905 in the modest fishing village of Collioure on the French Mediterranean, Henri Matisse and Andre Derain embarked on a partnership that led to a wholly new, radical artistic language later kno... [ + ]wn as Fauvism. Their daring, energetic experiments with color, form, structure, and perspective changed the course of French painting; it marked an introduction to early modernism and introduced Matisse’s first important body of work in his long career. This exhibition, which is co-organized by The Metropolitan Museum of Art and the Museum of Fine Arts, Houston, emphasizes as never before the legacy of that summer and examines the paintings, drawings, and watercolors of Matisse and Derain through sixty-five works on loan from national and international museums, including Musée National d’Art Moderne, Centre Pompidou; National Galleries of Scotland; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; and the Museum of Modern Art, New York; as well as private collections.With this new direction in painting, Matisse and Derain manipulated color in radical ways—nature took on hues responding to the artists’ sensations rather than reality. At the Salon d’Automne in 1905, when Matisse and Derain unveiled their controversial canvases, a prominent French journalist labeled them “les Fauves,” or wild beasts.
Visitors from outside of NY State:
$30 for adults,
$22 for seniors
$17 for students.
Admission for all children under 12 and Members and Patrons will continue to be free.
All admission tickets include exhibitions and same-day entry to both Met locations.
THE MET: Jacolby Satterwhite, A Metta Prayer
The Great Hall Commission: Jacolby Satterwhite, A Metta PrayerIn fall 2023, The Met’s Great Hall will be the site of Jacolby Satterwhite’s multi-channel video installation and a series of performances that will take place throughout the installation’s run. Based within a computer-generated landscape... [ + ] of an imagined New York City, Satterwhite's video incorporates renderings of more than one hundred objects from the Museum's permanent collection, three-dimensional animations, and live action sequences. The installation incorporates music, lighting, and a series of live performances by Satterwhite and his frequent collaborators to generate an immersive environment within The Met's historic Great Hall. This project will be the second in the series of Great Hall Commissions.Based in Brooklyn, Jacolby Satterwhite (b. Columbia, South Carolina, 1986) fuses a wide range of disciplines, such as performance, animation, music, painting, sculpture, and photography, to create kaleidoscopic media installations that reference art history, popular culture, queer theory, and Afrofuturist aesthetics. The result of his highly technical creative practice, involving a myriad of software platforms and new technologies, is a body of work that reflects the dynamism and technological richness of contemporary media culture.
Visitors from outside of NY State:
$30 for adults,
$22 for seniors
$17 for students.
Admission for all children under 12 and Members and Patrons will continue to be free.
All admission tickets include exhibitions and same-day entry to both Met locations.
Tree and Serpent: Early Buddhist Art in India 200 BCE–400 CE
This is the story of the origins of Buddhist art. The religious landscape of ancient India was transformed by the teachings of the Buddha, which in turn inspired art devoted to expressing his message. Sublime imagery adorned the most ancient monumental religious structures in ancient India, known as... [ + ] stupas. The stupa not only housed the relics of the Buddha but also honored him through symbolic representations and visual storytelling. Original relics and reliquaries are at the heart of this exhibition, which culminates with the Buddha image itself.<br><br>Featuring more than 125 objects dating from 200 BCE to 400 CE, the exhibition presents a series of evocative and interlocking themes to reveal both the pre-Buddhist origins of figurative sculpture in India and the early narrative traditions that were central to this formative moment in early Indian art. With major loans from a dozen lenders across India, as well as from the United Kingdom, Europe, and the United States, it transports visitors into the world of early Buddhist imagery that gave expression to this new religion as it grew from a core set of ethical teachings into one of the world’s great religions. Objects associated with Indo-Roman exchange reveal India’s place in early global trade. The exhibition showcases objects in various media, including limestone sculptures, gold, silver, bronze, rock crystal, and ivory. Highlights include spectacular sculptures from southern India—newly discovered and never before publicly exhibited masterpieces—that add to the world canon of early Buddhist art.
Visitors from outside of NY State:
$30 for adults,
$22 for seniors
$17 for students.
Admission for all children under 12 and Members and Patrons will continue to be free.
All admission tickets include exhibitions and same-day entry to both Met locations.